27 November - 15 January
Originally from Sheffield, Kate Wickham studied at Camberwell College of Art and the Royal College of Art, and now lives and works in Sussex. She makes hand built painterly vessel forms exploring a number of ideas and themes - landscapes, domestic interiors, seascapes, through abstraction and symbolism, and through the use of colour, texture and mark making. Both drawing and painting inform the work.
Tuesday, 24 November 2009
Richard Long
Vernon Street
23 November - 31 December
This small display of work by Richard Long from the College collection includes prints, books, catalogues, ephemera and cards displayed in the library in the Vernon Street building.
23 November - 31 December
This small display of work by Richard Long from the College collection includes prints, books, catalogues, ephemera and cards displayed in the library in the Vernon Street building.
Monday, 9 November 2009
BRUCE RIMELL- Modern Palaeolithic
10 November - 11 December
Modern Palaeolithic springs from Bruce Rimell's long-standing personal interest in Palaeolithic imagery and draws upon insights into the archetypal hunter-gatherer mode of life which forms the majority time-period of human evolution. Drawing from archaeological data, the findings of specialists such as Lewis-Williams and Henshilwood, and from personal visits to Palaeolithic sites such as Altamira, Ekain and Creswell Crags, this exhibition explores the experiental, mythical and cosmogonical motifs thought to have been understood by the cultures of the Upper Palaeolithic from the Atlantic coast of Western Europe to Lake Baikal in Eastern Siberia.
Modern Palaeolithic springs from Bruce Rimell's long-standing personal interest in Palaeolithic imagery and draws upon insights into the archetypal hunter-gatherer mode of life which forms the majority time-period of human evolution. Drawing from archaeological data, the findings of specialists such as Lewis-Williams and Henshilwood, and from personal visits to Palaeolithic sites such as Altamira, Ekain and Creswell Crags, this exhibition explores the experiental, mythical and cosmogonical motifs thought to have been understood by the cultures of the Upper Palaeolithic from the Atlantic coast of Western Europe to Lake Baikal in Eastern Siberia.
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